(1996) Pontificia Universidad Catlica de Chile; M.A. Your Privacy Rights (1985) Wichita State University; M.A. The Center conducts ethnographic and cultural heritage policy oriented research, maintains the Ralph Rinzler Folklife Archives and Collections, and provides educational and research opportunities through fellowships, internships, and training programs. That enables the monitoring of bombings, missile strikes, artillery shelling and fires. Contact:KimSO@si.edu, Kurin, Richard, Distinguished Scholar and Ambassador-at-Large. (1981), Ph.D. (1995) University of Pennsylvania. Like Poshyvailo and his HERI teams, conservators across Ukraine have taken stock of the situation, salvaging collections and materials as best they can. As the one-year anniversary of the deadly 2022 Russian invasion of Ukraine approaches, we take a close look at the ongoing work of hundreds of professionals across a landscape of Ukrainian and international organizations to defend endangered cultural heritage. Theyve conducted inventories and composed condition reports. The Center also produces major national cultural events consistent with its mission. This identity is indeed an explicit target of Putins war, she said. (1973) New York University; M.A. Box 37012, MRC 520 Washington, D.C. 20013-7012. Contact Robert N. directly . Russia and its supporters were strategically marking the territory as Russian to solidify Moscows claimsand seemingly as a prelude to more aggressive moves. This is the moment when the CFCH took notice. By the time of the Bicentennial Celebration 10 years later, the DC Folklife Festival had been incorporated into the festivities for the national party with activities scheduled throughout the summer. How is this defined, and how is it measured? National Museum of American History Research specialties: Occupational folklife, African folklife, epic, narrative, proverbs, computer applications in folklore, intangible cultural heritage policy. Generous contributions from Edward and Helen Hintz and Brad Freeman have helped support the effort, as have family and friends of Jamie Seltzer and Logan Cohen who, in lieu of gifts to the newlyweds, and at their direction, donated to the Smithsonian Cultural Rescue Initiative. Contact:NDiaye@si.edu, Place, Jeffrey, Curator and Senior Archivist. Ukrainians were strong and united in their fight on the battlefield and on the home front to defend their freedom to be Ukrainian, she said, and she thanked the U.S. and allies for helping them in that worthy battle on behalf of all freedom-loving people the world over. Hawaiian participants are seen here riding a the downpour in a traditional Pa'u parade. Visit the IIIF page to learn more. In 2015, UNESCO inscribed the Moses and Frances Asch Collection into its Memory of the World International Register. Toward the end of the fierce battle for Kherson in November 2022, museum staff at the Kherson Regional Art Museum reported that dozens of Russian specialists and aides haphazardly loaded two trucks with some 10,000 artworks without proper packing. B.A. The recordings were bundled into the Smithsonian Folkways label. Advisory Council Member at Smithsonian Center for Folklife and Cultural Heritage Russias war against Ukraine and its people is a clear and terrible affront to humanity and a violation of fundamental rights recognized in those accords. While the archive, filled with paper documentation and other memorabilia, is traditionally considered to be museum material, the other two sections exemplify more accurately the direction CFCH is headed, with a "shift from reified and ossified discourses of 'preservation' to more dynamic and ecological models of sustainability". (1991), Ph.D. (1998) University of California, Los Angeles. (1974), Ph.D. (1981) University of Chicago. My Armenia harnesses the power of storytelling to strengthen cultural heritage sustainability through community-based tourism development. B.A. (1967) Harvard University; M.A. (1973) Scripps College, M.A. (1989), M.A. B.A. Poshyvailo was intimately familiar with the Smithsonians work, having served as a Fulbright scholar in 2010 while the institution mobilized on-the-ground efforts to save cultural heritage in Haiti following a devastating earthquake. They focus on American, and more specifically Euro-American, African American, Caribbean and Native American musical and performance traditions. The Smithsonian, in an effort to document cultural war crimes as defined by the 1954 Hague Convention, shares its findings with Ukrainian cultural colleagues, and with the U.S. Department of States Conflict Observatory. Box 37012, MRC 520 Washington, D.C. 20013-7012. Smithsonian Folkwaysisdedicated tosupporting cultural diversityandincreased understanding among peoplesthrough the documentation, preservation, and dissemination of sound. SMITHSONIAN CENTER FOR FOLKLIFE & CULTURAL HERITAGE. Building on the awareness raised since the beginning of the century by a suite of UNESCO Declarations and Conventions, the centers Cultural Sustainability Research Group is at the forefront of a shift from reified and ossified discourses of preservation to more dynamic and ecological models of sustainability. Senior Folklorist Emeritus. (1976) University of Minnesota; M.Ln. Alberta at the Smithsonian Carriers of Culture: Living Native Basket Traditions Nuestra Msica: Latino Chicago Special Events (2006) 2005 Food Culture USA Forest Service, Culture, and Community Nuestra Msica: Music in Latino Culture (2005) Oman: Desert, Oasis, and Sea Special Events (2005) The Smithsonian Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center . There are restrictions for re-using this image. This includes not only the artifacts which are born-digital but also older analog forms which require reformatting for the digital world.[10]. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. Free to the public, the Festival drew 8.25 million visitors on site and online in 2017. How, then, could conservators make house calls around the country at facilities storing collections of art, artifacts, books, documents, photographs and scientific specimens that documented the richness of Ukraines history, art, culture and scientific achievement? (1978) Kenyon College; M.L.S. (1978) Arizona State University. We publish stories about music, food, craft, language, celebrations, activism, and the individuals and communities who sustain these traditions. Its forms are, among others, language, literature, music, dance, games, mythology, rituals, customs, handicrafts, architecture and other arts. The Ukrainian language, the countrys art and its historyincluding the Slavic-Christian state centered in Kyiv a thousand years ago, the 19th-century flowering of Ukrainian culture and nationalism, the post-World War I Ukrainian republic, the Ukrainian independence movement of the early 1990s and its reaffirming Orange Revolution in 2004 and the Euromaidan Revolution in 2013-2014all represent an undeniable Ukrainian identity that is centuries in the making. It has become a national and international model of a research-based presentation of intangible cultural heritage. Contact:ButvinHM@si.edu, Clark, Logan,Executive Assistant, Smithsonian Folkways. HERI mobilized to provide emergency packing materials. The first lady spoke eloquently of the importance of history, art and culture in defining the identity of the Ukrainian people. In 2010, the Initiative for Global Citizen Diplomacy honored the Festival with a Best Practice Award for International Cultural Engagement, and, in 2017, the American Alliance of Museums recognized the Festival with a Sustainability Excellence Award. M.A., Ohio State University. Don Quijote, #2 among General Alvear coffeehouses: 1 review by visitors. Research specialties: Cultural heritage studies, ethnomusicology, Asian studies, cultural policy, Indonesian performing arts, education, development studies, international relations. Contact:AdamsG@si.edu, Belanus, Betty, Folklorist, Curator, Education Specialist. B.A. Since 2003, he has helped plan and develop public programs on California, China, Hungary, Peace Corps, Apollo Theater, Circus Arts, National Aeronautics and Space Administration, Mekong River, U.S. Forest Service, World War II . From the enslaved looking to the cosmos for freedom to popular sci-fi stories inspiring Black astronauts, to the musical influence of Sun Ra, OutKast, Janelle Monae, P-Funk, and more, this exhibition covers the broad and impactful spectrum of Afrofuturism. University of California, Los Angeles. In the space of 15 years on the international playing field folklore has been rebranded as cultural heritage. B.A. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. nmaahc.si.edu. The Ralph Rinzler Folklife Archives and Collections contains an extensive collection that documents American and world traditions in research notes, videos, CDs, audio tapes, and still images. The National Endowment for the Arts, also headquartered in Washington, D.C., offers support and funding to both new and established art media. Adams, Greg,Interim Archives Director. From our earliest musical encounters to the formation of complex social identities, the American musical landscape wouldnt be what it is today without the countless contributions of women changemakers, groundbreakers, and tradition-bearers. UNESCO arranged online meetings bringing together Ukrainians with European and American counterparts to discuss needs, resources and responses. Intern at Smithsonian Center for Folklife and Cultural Heritage. Terms of Use Along with the artifacts of material culture, we are blanketed with artifacts of intangible cultural heritage, including traditions of performance, ritual, music, dance, knowledge, storytelling, and oral transmission. Since 1967, the Smithsonian Folklife Festival has collaborated with cultural practitioners, communities, heritage professionals and scholars to spark curiosity, catalyze intercultural exchange, and create participatory experiences that nurture creative human connections. Polish organizations lent tremendous logistical help. The compound name, Center for Folklife & Cultural Heritage, epitomizes an ongoing transition within the field of cultural studies. (2012) Leiden. Particularly strong are collections of traditional music, occupational folklore, narrative, immigration, and family folklore. How to Move 4,400 Boxes of Irreplaceable Stuffand Then Move (Almost) Everything Back, Center Initiates New Partnership to Promote Women Artisans in Central Asia, Virtual Craft Exchange Program Develops into In-Person Classes in Kazakhstan, Language Vitality Initiative Releases Case Studies on Minoritized Language Use in Europe. View of the Smithsonian Folklife Festival on the National Mall, 2004. The CFCH is one of several federal institutions to have related mandates. Behind the dancers is the sculpture "Infinity." (1970), Ph.D. (1974) University of Chicago. In presenting the Smithsonians contribution to that effort, we could not have been prouder. [3] Instead of collecting and curating objects, both the Festival and the Folkways units at CFCH collect, research, and produce experiences. They followed the recommendations of an international committee chaired by Americas former first lady Eleanor Roosevelt in accepting the principles set forth in the historical milestone known as the Universal Declaration of Human Rights, which includes cultural rights and freedoms. Lithuanian Blacksmith at Smithsonian Folklife Festival, 1998. Cloud cover over the region for days prevented good imagery. B.A. Over decades of research and production, we have created educational materials for cultural professionals, educators, and casual learners, including lessons plans, documentation handbooks, learning guides, and online exhibitions. South Africa Program at Smithsonian Folklife Festival, 1999. Its supporters were strategically marking the territory as Russian to solidify Moscows claimsand seemingly as a prelude more! 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